Once upon a time, the Fringe Festival's web presence was a non-factor in producing a show. You got word of mouth going by way of having a good show and people eharing about it and comoing to see it. These days certain companies have mastered the ideas behind making sure that their show pops up on every other show's page, and stirring up buzz by manipulating the system to their advantage by wisely utilizing the "My Calendar" function on the website. If you don't know what I mean, I can give you lessons later...but... here's the thing. Some folks have been around just as long, if not longer, than those who have recently seemed to be perenial fringe performers. And if the festival functioned in the way that it did back at the turn of the millenium, they'd be seen as equal giants as some who've surpassed them.
In the past Nancy has self-produced her shows, and/or put them up with her friend Gerald Fierst. And they have been amazing shows. The word of mouth in certain circles is great for Nancy, but in circles revolving around all things Fringy, that reputation has been slower to take off. Why?
Well, I believe that part of it comes down to how one does marketing in this day and age, and frankly certain things work better on the internet than others. And the other part of it is the part that I can have some effect on...at least I hope I can. For whatever reason, story-telling gets an odd rap during the Fringe. Many theatre afficianados will go to a one-person show but not to a story-teller. Why? Apparently they don't realize that a story-teller is a one-person show. And that often times the story-teller is going to be better, because it's what they do...all the time. Many of the one-man or one-woman shows you see at the Fringe are complete and utter crap (sorry folks, it's true). Nevertheless, folks go to those productions. Before I get off my little soapbox here and actually tell you about Nancy's show, let me say this... if you're tempted to go see a one-man show about some person's life who sounds like they might be funny, but it isn't entirely clear what they might have to say... skip it...go see Nancy or one of the other story-tellers instead. You'll be happy that you did.
Okay... Now... A few months ago (let's say three, just for fun), Hardcover Theatre put out a call to TC theatre folk to see who might want to have their show produced by that company. Nancy was among a group of folks who applied for that honor. I know others who didn't have their play selected, so I can only assume that it was a hard decision that resulted in Nancy being chosen. Once she was, she put together a docket of three stories around the theme of "Dangerous Mothers."
Of the three stories, I've listened to two on Nancy's CDs. They are good stories that I can only imagine grow in value when told live. One story is a folk tale, one is a story by an award-winning author, and the third is a personal narrative.
I guess I should mention what the titles are, eh? Oprah Meets Snow White is a slightly more malevolent retelling of the classic "Who's the fairest of them all?" tale. Mama Gone by Jane Yolen is a vampire story that brings new meaning to the saying that blood is thicker than water. And The Dancing Rat of Paris is a story about Nancy and her own mother. The only one that I'm not familiar with is Mama Gone. It is on a tape that I listened to once upon a time, but oddly enough, I don't have a cassette deck with me here in Spain. But I can tell you that either of the other two I could listen to a number more times and get something new out of it each time.
It's a little difficult for me to write about how Nancy is getting her pieces ready, because when it comes down to it, these are stories she's told many times before. This specific arrangement of tales is a first, though.
I think you'd be remiss in your fringing duties if you missed her show.
For all the details go Here
And now...Random things from a realm beyond.
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