Tuesday, August 31, 2004

Carmen Closes

Well, since I kept everyone updated as to the fact that I'd rejoined the cast of Carmen at Jeune Lune right during the heart of the Fringe Festival, I thought I'd also let you know that we closed last night. Yes, I know it was a Monday night, and no, I don't know why we closed then. But, it was a nice night to close. A good house, and a lot of fun. It was sad, though, as TJL is my favorite theatre to work at (no offense intended to any of the other theatres I've worked at). The process there is unlike any other, and it produces great work. If I were able to structure a perfect environment for artistic growth through work, it would be a nearly perfect image of working at Jeune Lune.

Since I'm here, and you're here, let's do a bit of this random stuff:
  • This is the second warm day in a row here in the Twin Cities. That excites me. I was wondering if we'd get enough warm weather for my tomatoes to ripen. I have a new variety (a German green & pink) that I was afraid I was going to lose copletely to the cold and wet of this summer.
  • A bit from www.hookedonfacts.com: "There is one slot machine in Las Vegas for every eight inhabitants." -- Makes one wonder how exactly you go about inhabitting a slot machine, doesn't it?
  • Rehearsals start tonight for "The Father," the next show I'm directing.
  • I have 10 fingers and 10 toes!!!

Wednesday, August 18, 2004

Best of the Fringe

The announcement is official, and the 2004 Fringe Festival has its two "best" shows. They are "Knock!", which was presented by Theatre Latte Da, and "Buckets and Tapshoes", which was put on by Ten Foot Five. I didn't get to see either one during my randomly determined Fringe-capade, so I'm looking forward to their soon to be remounted productions. They'll be showing at the Loring Playhouse starting August 20th and going until September 5th.

This link made up of silly designs: jI;jf))_*DShsal, will take you to the page with all the info that is fit to print about the production. I won't be able to see it until the last weekend, due to Jeune Lune commitments, but you can catch it ASAP...do so!

I'll give some silly bit of feedback after I get a chance to see it, but not for a while, you know...

So... just for old times sake, here's some random thoughts:
  • My friend Bucky is sitting in Germany right now, getting ready to go to Kosovo where he'll be teaching College Courses on the military base. It sounds like the chance of a life time. He's going to be teaching an acting course over there, which should be a hoot. Yes, I said a "hoot!" That's a fun word to say...say it with me, Hoot! Hoot! Hoot!
  • "There's not a word yet for old friends who've just met," -- Gonzo the Great, The Muppet Movie.
  • Although my cats are only 8 years old, one of them is starting to show the signs of aging quite rapidly. Her claws are sticking out and catching the carpet all the time, rather than retracting properly. She's getting drastically thinner, too. That makes me sad. They're both good cats, but she's sort of my favorite, and I don't like to see her getting old so soon.
  • A smattering of something random from www.hookedonfacts.com: "You share your birthday with at least 9 million other people in the world. " -- This makes sense, but I wonder if it is completely true. What about people who are born on the 29th of February? Or is that the "At Least" part of the statement. Perhaps the rest of us share a birthday with far more people. I don't know.
  • I was hoping to have a statistics column put together by now to let you know what numbers came up most often on my dice, what percentage of the things I saw were comedies, one-man shows, and all that sort of stuff, but I've not had as much time as I thought I would. Tomorrow maybe...
  • Dang, Yo!

Correction: Apology

In an earlier post (now amended to correct the earlier error), I wrote about CalibanCo's space, and through a misunderstanding, the situation around the lease that they are currently negotiating. At that time negotiations had not begun, and I am happy to report that through further communication with the parties involved, I have found out that YPC (Youth Performance Company) had nothing to do with the delay in negotiations. That was the understanding with which I wrote the earlier comments. However, after speaking with Calibanco's artistc director, Christi Cottrell (one of the nicest people on Earth) and Jackie Knight (I'm sorry if I've misspelled that, Jackie, I've never known how to spell it) of Youth Performance Company, it is clear that YPC is fully behind the development of new companies blossoming in the Twin Cities, especially Calibanco, who is their neighbor.

I want to apologize for the confusion my earlier comments caused. I will put forth two things that were in the earlier column, but in a different context... 1) Calibanco is an immense boon to the theatre community here in the Twin Cities, and I second the columns of fellow blogger, Matthew A. Everett who pointed them out for their generosity and support of the Fringe this year. 2) From an earlier column, which is still on this site in an unamended form, Youth Performance Company's Fringe show "Goddess Menses and the Menstrual Show" is a great production, which since its inception a couple of years ago has been a great success for the group, and I'm hoping that this isn't the last time that it is produced. I originally mentioned the production in my column about "Meaning-of-life" plays, and how despite the young age of the authors how much wisdom was contained therein. It is productions like these that makes YPC what it is. Ms. Knight has given teens (and other youths) a place to say what they've got to say, when other places might not. That's a bold and beautiful thing. Side thing: This production was the most reviewed show in the Fringe, and it still managed a complete 5-star rating...that speaks tothe quality and the art.

Monday, August 16, 2004

Day 10: The End

This is the way the Fringe ends. About half of the performers and most of the staff congregate at Fringe Central late at night to enjoy a beverage or two, or three, or four. In my case it was merely one martini. With two olives. For me the most important part of a Martini is the olives. In fact, If you filled a cocktail glass with olives and then put in the requisite amount of gin to cover them and allowed them to soak, that would be the perfect Martini for me. I actually pass judgement on bars and nightclubs on how well they follow my instructions and requests regarding the olives. If I say "Tanqueray Martini-up-lots of olives" and it comes with two. That's not so cool. If it comes with 4 on a little cocktail sword, that's a little better. If they dump the olives in the glass, that's great... And the best I've ever had was at the Monte Carlo in the warehouse disctrict of Minneapolis where the server brought me a glass chock full of olives soaked in Gin and vermouth as well as another tumbler full of olives on the side. She got a 100% tip from me that evening.

Anyway, for me who'd not eaten since breakfast (big meal, but not recent enough for heavy drinking), one beverage was more than enough to make me unable to drive for a while. And so instead I chatted with Geral Fierst and Nancy Donoval for a while, as well as a couple of other "Mouth" groupies (if you can call Nancy's boyfriend a groupie). And I also chatted with a few others, including a few of the folks who used to make "Horror Incorporated" at Channel 45. One of my favorite up-and-coming playwrights Brian Watson-Jones was there with his Girlfriend, whose name I still don't know, and talking with them was a lot of fun as usual.

After a while we all got called up on the stage to be recognized for our contributions to the Fringe this year. That was nice.

I enjoyed this whole voyage this year, so I hope I get to do it again next year, especialy since I won't be able to do much of anything else for the Fringe, since my July will be in Spain or France as part of my Graduate degree work. Hard to rehearse a play for Fringe in another country.

Well... since the "Best Of The Fringe" shows is going up over the next couple of weeks, I'll probably write a bit about that when it happens. Until then, toodles!!

Day 10: The Shows

I saw "Feeling Faust" by CalibanCo, oddly enough in the CalibanCo space. I then stayed at that space (free parking!) to see "When Worlds Collide: Talking Dirty at Bobby and Steve's Autoworld." And finally I saw "The Testimony of Gary Alan Richards" at the Acadia (Free parking at the Howard Conn Center parking lot).

All three were okay. The Faust play was notable for the acting of Jeremy Cottrell, who is one heck of an actor. That and the twist ending of having the devil be female (kind of a twist, anyway). The one man show that followed was a bit of mis-billing. The play had very little, if anything, to do with Bobby & Steve's. The play was really about the guy's various sexual encounters over the years. It was entertaining, I guess, but not at all what I expected. The "Testimony" play was not terribly good, in and of itself, but the performances of the actors were very realistic and fulfilling. The street theatre ending of the guy being hauled away in a real ambulance was kind of cool, too.

That was it for the final Fringe day, because then I was off to the world of Carmen.

Day 10: The Beginning

This is the last day. Not a lot to say, other than I'll be ditching the dice-rolling in favor of free parking. When it comes down to it, even with a pass that got me into a large number of shows for free, I still spent more money on this Fringe Festival than I was intending. So... I'll be starting my day at CalibanCo. There's free parking in the church/YPC lot, and on the street. We'll see where I end up after that.

On to the random crap:
  • I have a hat that was made for me by Benjamin Berlovitz-Debois. It is my favorite hat, and I'd like to thank him for making it for me.
  • I'm too tired and have too much of a head ache to think straight.
  • Breakfast today was a family event with three generations of Kidders heading to the New Louisiana Cafe on Selby in St. Paul. Immediately thereafter, my parents took my daughter for a visit that ought to be at elast a week long. Yay! I love being a dad, but I also love being able to do things that aren't kid oriented. I've only seen two or three movies over the past 4 years that weren't animated or made by Disney.
  • The olympics used to hold more importance in my mind when we were still int he cold war. Then it was a "Us against Them" situation. Now, it's Us against the rest of the world, and that's hard to get excited about in either the Olympic realm, or in public/political policy (and you can be sure that the situation is the same in either one).
  • www.hookedonfacts.com: " Americans eat nearly 100 acres of pizza every day - that's approximately 350 slices per second!" -- I don't know what to say about this, but that is surely a lot of pizza. What I guess I'd like to know is how that breaks down topping-wise. I mean, I'm sure that pepperoni is the number 1 topping after cheese, but how many people actually get anchovies?
  • According to CNN.com, it is perfectly legal to marry a dead person in France. It takes being able to prove that you were going to marry prior to the death, and it takes the permission of the President of France. Nevertheless, I'd have to think that this could really throw a wrench into the works of inheritance situations. It's an easy way to become a rich widow without all that icky obligatory sex stuff. Think about it. If we had similar laws, Anna Nicole Smith could've made her millions even easier.

Saturday, August 14, 2004

Day 9: The Summation

I just got back from Theatre de la Jeune Lune, and I'm just too tuckered out to do a show by show break down like I have every other day. So... you get it all in one fell swoop.

I started my day by rolling the dice and getting A Good Year for Garanimals. I enjoyed all of the performances that made up this Spoken Word Fringe entry. However, I'd like to point out one person specifically. Dot Cleveland. She is a performer who I gave a horrible review earlier in this blog. I still stand by that review. However, I also say that the performances she gave in this collection of monologues were absolutely great. One was a story of her growing up in the woods, and another was the story of "Little Red Cap" which was a variant on Little Red Ridinghood. Both were electric with the excitement that she was putting into the tales. It was a refreshing change from when I saw her "LoveWise" performance. Clearly, though, she is a good story teller and that former performance was an off night.

After that I returned to another episode of "Mouth" by Nancy Donoval and Gerald Fierst. It was superb again. I'm hoping that these two performers are going to be a recurring part of my Fringing for years to come, if not a part of my life. I broke my own self-enforced blogging rules to attend this show. I didn't roll dice. I just decided that the first time I saw it was so powerful, that I could not miss a second version of the show. They promised that every show was different, and the two shows were completely unalike, except in the fact that they were both moving worthwhile conversations.

The last Fringy thing I did today was performing in the final showing of "Dandelion Snow." A few words... I loved doing this show with this cast, and I'll work with any one of them again. The Playwright, too. Matthew blessed us with a terrific script to start with. With that said, I'm so glad this show is done. Talk about an energy-suck of colossal vacuum/black hole proportions. Writing a blog, acting in two shows, and doing all the preparation that goes into directing another show is too much to do, especially with the mini-soap-opera that went on with this show. I love shows with directors who are skilled, insightful, and over all decent people. I think I'll do one of those next time.

At last it was off to Origami for sushi before a performance of Carmen.

I'm looking forward to the last day of the Fringe... see you then...

Day 9: The Beginning

I've rolled my die. It isn't the same die that I rolled all the rest of the Fringe. I've lost that one. So, I went into my bag of dice (something that all true gamers have), and pulled out another one. It is a blue one. The old one was an orange and yellow one that was suppoed to look like it was made of elemental fire. But, it's gone now...gone.

I rolled my die for the 1 p.m. time slot already, and I'll be starting my day with "A Good Year for Garanimals." It's part of the Spoken Word Fringe. Haven't seen any of their stuff yet this year. Cross your fingers for me. I get to see shows all afternoon, but then I'm off to "Carmen" at Jeune Lune. My parents are coming down to see it, so that'll be nice. They missed it last time around. My work with Jeune Lune is the work I'm most proud of, and so it is important to me that they see it.

Random Crap...
  • I'm hungry
  • What can I say? I'm hooked on facts! www.hookedonfacts.com: "More than ten people a year are killed by vending machines. " -- Idiots!
  • There used to be a type of bugspray that had mint as its wasp-killing poison. I bought it a couple of times a couple of years back and I loved the stuff. Does anyone know where you can find it these days?
  • Down by the station, early in the morning, see the little pufferbellies all in a row!
  • On my desk in front of me at this moment is a CD case, a rolodex that is tipped on its side, and a set of stereo headphones along with about 5 or 6 post-its that I am currently ignoring.

Day 8: 8:30 p.m. and 10 p.m. Time Slots

Well 8:30 was our second to last show of "Dandelion Snow." It was a really good performance.

So anyway, I thought it went really well, and after the odd way that our Fringe started with this show, I am glad to say that we're going to close having had a positive experience overall. The other actors have made it a huge success. And the playwright has been exceptionally helpful. Thanks guys (and gals).

After that we all were wiped out, so we went to Fringe Central, caught snippets of performance by 10 foot Five, whose "Stomp!" inspired footwork is really good. And also scenes from a couple of other pieces.

Frign Central is a terrific addition to the Fringe, and I'm glad that we're able to have such a place. I hope it is ther again next year. I also hope that there will be some real food there. Pretzels just don't cut it for the guy who hasn't eaten all day. One beer can mess you up pretty well if you don't get some food into you.

Anyway... there's that... On to day 9...

Day 8: 7 p.m. Time Slot

Show: Punk Rock Awesome
Die Roll: 14
Venue: Brave New Workshop
Company: Ferrari McSpeedy

This is a great group of guys for comedy. And you'll remember that I even though I challenged everyone to see some artistic works furing the fringe, I also said that it is important to go see some that are entirely just for entertainment value. Well this one is exactly that.

The two clowns that make up Ferrari McSpeedy are smart, witty, and brilliant clowns that manage to take esoteric knowledge and physical comedy and smash them together in a way that makes everyone laugh like giddy hyenas.

Essntially Ferrari McSpeedy is blends equal parts Ari Hoptman, Jim Lichtscheidl, and crack, and blends them up together, shaking in a dash of paprika for color at the end.

I can't criticize what I saw. It was pretty straight forward and entirely honest in its lack of artistic merit. However, the timing was good, the self-awareness was good, everything that happened was good. Too bad that it is the last of the "Punk Rock" trilogy by these guys. Let's hope they have at least three sequels, too.

Day 8: 5:30 p.m. Time Slot

Food! I need Food!

I got Food!

I went to the New Dehli Restaurant on Eat Street. I had three dishes that I've never had before anywhere, and all three were great. I don't remember what a single one of them was called, though.

Day 8: 4 p.m. Time Slot

Show: If I Don't Marry Davy Jones I'll Just Die
Die Roll: 20
Venue: MCTC Mainstage
Company: Mary Hirsch

The moment you sit down and read the program for Mary Hirsch's show, you are being entertained.

This show is more of a stand-up routine than a play, but it is entertaining and well-don nevertheless. I didn't take many notes on the whole thing though, as I found that it was easier to enjoy this show if I didn't analyze it. So, for an hour I just enjoyed hearing stories about growing up in the early 60s and turning 50 in the new millenium. And I had fun. That's all you can really ask for out of a stand-up show.

Thank you, Mary, I had a nice time. I'll buy one of your books someday when I'm not caught by other theatre folk. -- Mary sells her book after her show, and I would advise picking one up if it is even half as funny as the rest of her show.

Day 8: 2:30 p.m. Time Slot

Show: Fast Fringe #1: The Agony
Die Roll: 8
Venue: Loring Playhouse
Company: The Spanish Ladies

Hey! It's the first time that I've rolled the same venue twice! That's tremendous! Hey! I get to see the other installment of the "Fast Fringe!" That's not so tremendous...

Same held true this time as with the other set: inconsistent writing, acting, and directing. Overall a luke warm review. The shows in this chunk were slightly better, though. Too bad that the name of the thing, "The Agony" would better have fit the other ones.

Day 8: 1 p.m. Time Slot

Show: Fast Fringe 2: The Ecstacy
Die Roll: 9
Venue: Loring Playhouse
Company: The Spanish Ladies

Okay, so something that I've mentioned before... I'm a playwright. Specifically, I am a playwright that has up until recently focused on the short play format. The ten- minute play specifically. So I was glad that at least one of the "Fast Fringe" shows came up, even if it was #2. The subtitle "The Ecstacy" is the more positive of the two, so I was hopeful that that was a good sign.

This production was five ten-minute shows. I liked some, I didn't like others and the acting and direction were inconsistent at best. The ladies were generally better actors than the men, and it seemed that some plays received far more attention in rehearsal than the other ones.

The hour started with the least impressive of the works. "All About Words." All I can say about it was that it had me wondering "MY GOD! Is this what happens to my plays when I send them in to contests?!"

But the production quickly rebounded with a well written and well performed "Limbo Lounge." A play about the place that re-written characters go to die.

Plays #3-#5 didn't standout to me in any special way, except to say that I still didn't like the play that involved a father as a hired killer.

Anyway... I'm glad that the Frigne now has its own 10-minute festival, I'm just hoping that the quality continues to improve as it gets produced year after year.

Day 8: The beginning

Today's fringing started with a quick bit of phone calling to find Fringe Buddies. I lined up a couple of folks who were willing to see a randomly selected show with me. It has gotten pretty lonely at some of the venues, doing my fringe this way. Sure, I see people that I know at each venue, but it isn't the same as going to a show with someone and having someone to swap sotries with. So today'll be nice.

Random stuff:
  • I'm going back to an old established way to come up with my random topic for the day, I'm asking someone else for a topic. I sent my daughter to her mother, who sent back the word "Pan." So, I figure this means that I'm looking at either talking about the Greek God of the Wild, or I'm going to talk about cooking. Since I haven't eaten yet this morning, cooking and breakfast are coming to mind. When I cook, I like to make things without following recipes. I just like to make things that I think will taste good together. I "worked" for my family one summer cooking all the meals and doing all the planning, etc. and that helped me acquire enough rudimentary knowledge of the mechanics of good cooking, that I'm never terribly unsuccessful in my culinary experiments. Although most of what I cook doesn't have a name, at least that I know of.
  • A note to those people who talk down to little kids: They aren't stupid. In fact, I would contend that my daughter has more mental accuity and agility than I do at any given moment. She's five. The thing is, I still have vivid memories about life at 5. I understood the what I was saying, what the grown-ups were saying, and pretty much everything else that was going on in my immediate universe. I didn't understand everything, but I got enough that I didn't need to be talked in cutesie child-speak.
  • Today's fact from www.hookedonfacts.com: "Almonds are a member of the peach family." -- Kind of explains why an almond in its shell looks like a peach pit and vice-versa.
  • What goes up, must come down...spinning wheel, gotta spin 'round.

Thursday, August 12, 2004

Day 7: The Beginning

Today is another one of those where I don't get to see anything. I am going to be in "Dandelion Snow" at 5:30, and if you love me, you'll come see it. And then I'll be appearing in Jeune Lune's "Carmen" this evening. That means there's no time for Fringing.

Since I've now given you the entire rundown of the day, I'll launch into random stuff:

  • Normally, I wait until near the end to do the fact from www.hookedonfacts.com, but today I'll put it first, just to be random: "The first product that Sony came out with was the rice cooker." -- Now that's just amazing. You go form one small house appliance and you grow to a corporation that can take over entire segments of the world's economy. I need to invent a small houshold appliance. Oh dear! Wait! Could Ron Popeil be our next great dictator?! Aaaaigh!
  • I finally notified everyone that didn't get cast in my next show. I can't even tell you how relieved I am that that is done.
  • Does anyone really know what time it is? Does anybody really care?
  • The Friends School of Minnesota is about to launch into their bulb sale. They have a plant sale every spring and I get my heirloom tomatoes from them... I've never bought anything from their bulb sale, but that's because I've never planted bulbs at all. I might try it this year. I was raised Quaker, so I always feel that I have an odd obligation to support them.
  • Since there is Google for searching and Froogle for shopping, I'd like to propose Smoogle for fencing illegal goods, and perhaps Zoogle for animals. I think the -oogle ought to gain as much notoriety as the -izzle.
  • I sometimes wish that I was a more direct person when dealing with people who frustrate me. It is hard to balance politeness with irritation.
  • John's Pizza in Frogtown is one of the best places I've ever gotten food from.
  • I've got nothin' else right now.

Day 6: 10 p.m. Time Slot

You know, I tried to make it without eating, but when it comes down to it, sustenance has to happen. I took my daily time slot off during the final slot of the day. I went with two other Fringers to Jakeeno's which is a pizza joint just up the street from the Pillsbury House. I had a Spinach and Feta pizza in honor of the "Goats" show. Mmm... goat cheese...mmm.

Anyway... long conversations were had, time was enjoyed, and then it was the end of the Fringing night.

More on day 7...

Day 6: 8:30 p.m. Time Slot

Show: Goats
Die Roll: 3
Venue: Pillsbury House Theatre
Artist: Alan Berks

You know, for a guy who doesn't like one man shows, I'm seeing an awful lot of them. I'm starting to see an inherent problem with the system I've got set up here.

My one overwhelming thought with this show was that profundity is not always profound the second time around. Having seen the first ten minutes of this show at the Fringe Preview a couple of weekends ago, I was very excited to have it come up on the charts. Yay!

But...it wasn't as funny, insightful, or attention-grabbing as I initially thought. Berks is an able actor, and many of the things he had to say were very entertaining, but the whole thing felt a little empty. Perhaps it was this performance itself. Maybe he was having a low energy day the same way I was at my show. It's possible.

All I know is that when I was laughing (at least during the first half) it was because I felt obligated to due to the fact that I'd plugged the show early on. Now, the second half was different. Alan found his groove somewhere along the line and I settled into actual enjoyment. The thing is, the show is well written. I enjoyed the writing a lot. That's why I'll give him the benefit of it just being a down performance.

Alan did a lot of living in his 24th year. He was a goatherd in Israel. He had to learn to think like a goat, how to just "be", he had to learn how people are capable of hate, and much more. He learned enough about live that he is qualified to write a meaning-of-life play.

There are two quotes that stuck out for me, only one of which could I write fast enough to get on paper. That one was "The only thing thatmeant anything is the touch." Communication with goats is what he was talking about, but he was really talking about so much more. The other had to do with waitin patiently without fear and taking care of the things that you're supposed to take care of. But, since I only got part of it down, I'll just say that the end of the show returned to a place where the profound was present again.

Day 6: 7 p.m. Time Slot

Show: LoveWise
Die Roll: 8
Venue: Intermedia Arts
Performer: Dot Cleveland

So, I found myself back at Intermedia Arts for the second time in one day.

Before I say anything about this show, I want to tell you about my lobby experience. Here it is in sequential segments:

  1. I arrived and got my ticket from a box officer who looked shocked to see me. I assumed this meant that I was a bit early, and that I'd caught him off guard and unprepared.
  2. I sat down on a chair near to the theatre's entrance. Normally when I go to Intermedia Arts I look through the galleries while I wait, but since I'd already been there once that afternoon, I didn't feel the need to peruse the same art that I'd gawked at earlier.
  3. I watched the performer arrive, and chat with two of her friends. Somewhat rudely eavesdropping, I heard her say that she'd been playing to ridiculously small houses, and that if today's audience were just those two of her friends she'd do a shortened version of the show and then the three of them could go imbibe something elsewhere.
  4. I got up and got myself an astoundingly good iced chai from the cute chica in dreadlocks behind the coffee bar counter.
  5. I bumped into Katherine Pike who is performing Something Else Occurred as part of the Fringe. She's also been getting small houses, but her show has been a sell-out at other festivals, so I'm hoping that I scare up some business for her with this plug.
  6. I went through the process of giving my ticket to the usher, and walked in ahead of Penny Dale, who is appearing in Assassins.

The best things that happened to me at this venue were numbers 4, 5, and 6. Number 2 is just in there to fill in the chronology. But numbers 1 & 3 should've sent up red flags all over the place.

I spent an hour and 5 minutes (yes, this show ran long) watching a story being told by a woman who wished she was somewhere else doing anything else than telling this story. It is painful to watch a story teller who has no interest in her own story.

I would've walked out, but the house lights were up at full, so I couldn't sneak.

The story itself was an odd one that I'd never heard before, although it is by the Brothers Grimm. The title, "The Handless Maiden." It's a story of love, betrayal, the devil and trickery, and I'll bet it would be quite good if told by someone who didn't hold their material in contempt. She even made snide comments about how she disliked the Grimm style of story while whe was telling it.

I could fill a column the length of the Declaration of Independence with my negative thoughts about this performance, but I won't. Only because I have other columns to write.

Day 6: 5:30 p.m. Time Slot

Show: Dona Quixote
Die Roll: 20
Venue: Theatre Garage
Company: Anda Flamenco

This show starts with a send up of the song "The Impossible Dream" sung by a group of musicians that act like they are coming in from the cold of a Minnesota winter intermingled with oddly amusing gratuitous plugs for the show's sponsors (which included Toro, Chippewa Water, Caribou Coffee, and a local Hastings Winery, the name of which eludes me at the moment).

The storyline launches into short scenes that trace the storyline of the more traditional "Man of La Mancha," but instead of conversation there is only a brief bit of narration and then Flamenco dancing.

The dancing is beautiful. The people involved were all great dancers, but more importantly they were energized and fun.

I would recommend this show to anyone. It's fun and a good way to spend the hour.

Day 6: 4 p.m. Time Slot

Show: Mouth
Die Roll: 8
Venue: Intermedia Arts
Artist: Nancy Donoval and Gerald Fierst

This show starts the moment you enter into the theatre. The performers hand out chocolates while you're on your way to sit down. Not any chocolates mind you, but dark chocolate-covered ginger. From that moment you know that this show is different than most others.

That, and the performers converse with you. They aren't "in character" or anything silly like that. They are just talking to you. About real things. I chatted with Nancy prior to the show's official start, and discovered that these two read all the blogs, and that right there is reason enough to support them. I jotted down in my notebook that were I to not like it I'd still make sure to plug it just for that reason. Thing is... I did like it. A lot.

Before anything else, I want to share something with you. One of my life goals is to have something that I do outlive me. Meaning, I would like to make a lasting impression on this world in a positive way. I want to be able to share what wisdom I accumulate through life and have others benefit in some way. That's why I became a playwright. A play that I may write could someday touch someone and make a difference in the way they live their life.

The thing is, for most of known history, storytellers were the ones who shared wisdom and taught lessons, and entertained in a way that affected many people's lives. The oral tradition of storytelling seems more temporary than the act of writing down something for publication, but it is also more immediate in its effect. I will be affected for the rest of my life by the stories, anecdotes and snippets of conversation that I heard at this performance. Nancy and Gerald accomplished in an hour of extemporaneous banter what I hope to do with my entire career.

So… On to my summary and thoughts on this specific performance:

The format is very conversational from the get-go. The two performers, Nancy and Gerald, just start talking to the crowd. They are not presentational at all, but they do keep the attention of their audience. I had a thought about a time that I went out to a bar with a bunch of folks, and one person was so engaging that for most of the evening none of the rest of us said a thing. These two were like that one person. They are the bar regulars that instantly command attention because they've got stories to tell. They've got something to say, and we all want to hear it. Why? Because they are truly communicating with us, making us feel special as the listeners. More on that in a minute...

So, the premise of this show is that Nancy & Gerald cull the local papers and other news rags and riff on whatever might have caught their eye. They mentioned that they used the Star-Tribune, the Utne Reader, the Pulse, as well as World Weekly News. But their show doesn't only consist of that. The news is really only a launching pad for a stream of tangential thoughts. The first thing that we were informed of was that these two are self-proclaimed Ice Cream Mavens. And after a bit of chatter about finding Ice Cream places throughout their travels, they recommended the Pumphouse Creamery which I will soon be visiting entirely based on their say so.

They skimmed topics from the Republican National Convention, to the Luis Palau thing that happened at the capitol, to tasting scotches at the Town Hall (a bar in the “7 Corners” area). The talk of scotch somehow triggered two complementary folktales about death visiting, and that kicked off a couple of personal stories about how their own families dealt with death. There were other bits thrown in, too.

Now, when two people just riff on whatever, and they are taking up the same stage space, you can imagine that they interrupt each other from time to time, and these two do. But, I found it very interesting that they interrupt each other and yet they are so giving of their attention to each other that there isn't the sense of frustration and anger that often occurs when you've been interrupted. And, as an audience member, you're not terribly upset that you never heard the ending of the story that was just interrupted.

I was in tears at the end of the show, and so I wasn't taking very good notes while Nancy closed with a statement that summed up poetically the thoughts that must have inspired the creation of such a work as this. She spoke of how we all need to listen to one another. That we need to recognize the contributions and existence of the person next to us.

My father and I got into a long discussion the last time I went home. It was a discussion about the meaning of life, essentially. Really it started out about politics, but it shifted many times as one conversation is wont to do. One of the things that I said during that discussion, which had come back to me while listening to Nancy and Gerald, was that we as humans have out-expanded our own capabilities. Sure, the technology is there for us to send signals around the globe, but we function better in smaller than world-wide communities. Humans work better together when they are in small groups that are able to cooperate and look out for each others' interests. It's hard to care for someone you don't know. When you know someone, you care. Mass media has made us think that we know people who are celebrities, or are from other parts of the world, but we don't really know them at all. And what's worse, we no longer take the time to know the people who are our neighbors. We no longer hear the stories they have to tell.

No one affects our lives more than the people immediately around us, and yet we often ignore them and what they have to say.

Gerald told a story about "singing the song" of his father. He told his mom & dad's story to his mother as his father was dying. And he celebrated that life, rather than cursing the death. I cannot do justice to what Gerald had to say. Any way that I try to relate it to you will minimalize how very beautiful it was. But I can tell you that I thought of my own parents. The stories they've told me about how they met, their early years, and the times of my childhood that I was too young to remember. In a few days I will not remember the exact details of this performance of Mouth. But I will remember enough about sitting there in that theatre and listening to them, that something will be triggered and I'll think of something else, and I'll talk to someone about it, and that will trigger another topic, and the conversation will continue. And I will get to know someone else, and listen to what they have to say, and they will do the same to me.

This show is different every time based on what life has thrown at Nancy and Gerald since their last show, and where their tangents take them, so I can't promise that you'll have exactly the same experience that I did. However, I can tell you that you need to go to this show. If you are only going to see one more show at the Fringe, make it this one. I am not kidding, and I am not just throwing hype at you. It may not be the frou-frouey comedy that you came to the Fringe for, but it is something that you'll laugh at, that you'll enjoy, and that will have an immediate effect on you that will far outlast the performance.

Day 6: 2:30 p.m. Time Slot

Dandelion Snow at the MCTC Whitney Mainstage had a great opening night, and then it did what many shows do, and lost momentum and energy on the second show. That being said, most shows get back into their groove on the 3rd and all subsequent performances. I'm looking forward to the shows this weekend. It is a really good show, and we nailed it on Opening night. Now we've got the 2nd show out of the way, so we can nail it again on Thursday.

Wednesday, August 11, 2004

Day 6: The beginning

I am going to head to the store in a little bit and pick up some things to munch on so that I don't have to skip any time slots for the sake of eating. My goal today is to not have to miss any time slots unless I am suddenly taken ill (as I was last night).

I already know what I'm doing during my 2:30 p.m. time slot today. I'm appearing at the MCTC Whitney Mainstage as Julian in Dandelion Snow. Should be able to hear crickets in the theatre given the time slot, but we'll see. If you want to save me from the chirping of small insects, stop by and see the show.

After that, who knows. For those who have witnessed my die rolling, you know that I don't roll the dice until I'm sitting in the audience of the show immediately prior. That means that if I'm sitting in the audience waiting for the 5:30 show to start, I'll roll for the 7 o'clock show. So... for times when I have my show, I don't roll until I am sitting in the Green Room.

Okay...today's randomness:
  • Smile!!!
  • I learned yesterday that my parents are reading this blog. "Hi Mom & Dad!"
  • Caitlin Gilmet is one of my favorite new people at this year's Fringe. Not that she's new to personhood herself, but she's new to me. You sould check out her blog, too.
  • David Terrell has been tentatively given the No. 2 Wide Receiver gig for the Chicago Bears. He has yet to live up to his potential as the first round draft pick that he was coming out of the University of Michigan a couple of years back.
  • I wonder if C. S. Lewis ever kicked himself for how wrong he was about what outer space was like in his novel "Out of the Silent Planet."
  • Today's fact from www.hookedonfacts.com: "Mosquitoes prefer children to adults, blondes to brunettes." -- So that's why we called the toeheaded whelp from down the street "Itchy!"

Day 5: 10 p.m. Time Slot

Again with the rolling and not going... and this has nothing to do with the shows that I rolled, mind you. I didn't leave myself much time to make it to my 10 p.m. show, but I was looking forward to seeing Mary Beth Parker's Big Jesus Tent Revival at the Brave New Workshop. After all, I'd started my day there, why not end it the same way? But I'd only left myself enough time to bolt directly from Fringe Central to the intersection of 26th and Hennepin. I hadn't taken into account that during that drive my innards were going to revolt. Without going into detail, let's just say I missed a large chunk of the show due to a problem that only Immodium can fix. I visited a friendly neighborhood SA, locked myself in their watercloset, and didn't go to see the show at the BNW.

Once the potty emergency (as Wakko Warner would've called it) had passed, I headed back to Fringe Central to take in a bit of the group "Popcycle" which was playing there. I enjoyed the band, and hanging with the Fringe Techies was a lot of fun. I liked the band enough that had I not put myself on a restricted budget for the festival, I would've bought their CD right then and there. Now I just have to hope I can find it online.

The party wound down at about Midnight, and then I headed home with all the good intentions of writing all my blogs then. Nope... that waiting 'til the next morning.

Day 5: 8:30 p.m. Time Slot

I didn't bother to roll for this time slot. Actually, I did, but then I ignored the die roll completely. I rolled a 7, and that would've had me seeing "Love Lyrics" at the Howard Conn Center. But my tummy spoke louder than the dice, and like a buzzard on fresh carrion, I dived into the menu at Rock Bottom Brewery, right across the street from Fringe Central.

I had the daily special, which was grilled cod with pineapple salsa atop a bed of cheddar mashed potatoes. Mmm-mmm-good. And an Iced tea. That's my beverage of choice when I need caffeine. I have never been a fan of coffee, and as I've gotten older my sweet tooth has faded, so pop isn't as high up on my preferences list either.

On my way to the restaurant I bumped into Ari Hoptman and Preudence Johnson outside the Fringe Central doorway. I've already written up my blurb about Ari's show, but I must put in a good word for Prudence as well. She's doing one of the shows at the Illusion. It's a little something called A Girl Named Vincent. She's one heckuva singer, and worth checking out. Side note on Ari...He is one of my favorite people to talk to. He reminds me of my roommate from college, both inhis impressive amount of trivial knowledge and his remarkable sense of humor.

Day 5: 7:00 p.m. Time Slot

Show: Palms Up
Die Roll: 16
Venue: Xelias Aerial Arts Performance Studio
Company: Xelias Arieal Arts Performance Company

This dice-rolling thing is getting to be an adventure and a half. I had about 20 minutes to make it from the Brave New Workshop to the other side of town. I made it with 5 minutes to spare. The house wasn't even open yet. The traffic through downtown very well may have been the best I'd ever seen in the 6 years that I've been back in the Twin Cities. Unfortunately, by being there a little early, I had to wait outside on this chilly summer (?) evening. The Xelias studio doesn't have a lobby. I would have killed for a lobby.

As a preface for the rest of my comments, I can't do aerialism at all. It is somewhat foreign to me. I feel much more comfortable reviewing acting, directing, writing, dancing, even painting. I can do those things to varying degrees of success. But Aerialism is a different animal. It is beautiful, and I enjoy watching it, but it leaves me a little lost for what tosay about it. Especially on the technical side of things. As an audience member it makes me work harder to figure out exactly what I might be watching.

This performance had two parts. A short prologue-type of performance that seemed to be about the artform itself, that is, to introduce the audience to the types of things they might be seeing the rest of the hour. The second, longer piece was a combination of many artforms. Aerialism was melded with beat poetry, as well as dance, and film clips. The first set of images created by the company led me to believe that the piece was about childhood in all its stages. Two artists folded paper airplanes from atop wall-mounted platforms, while two womentumbled slowly down the ropes in fetal position like pre-born youths. The women reciting the poetry was also running in place and hanging from a trapeze in a way that was reminiscent of kids on a playground. So, for about 10 minutes I was convinced that is what the piece was about. However, then there was a ball of twine being wrapped around a giant globe/cage, and people climbing up a rock wall, and someone had a structure of branches on their head, creating shadows through which the others moved. After all was said and done, I had no idea what I'd just watched, but I liked it. I still have a feeling that it was about our lives and their development, that childhood played a major part in it, but beyond that, I'm not really sure.

I'd invite just about anyone to go see this show and to explain it to me further. This show did what I ask all Fringe shows to do. It challenged me to think and feel. However, I'm clearly not done thinking about it, and now I'm feeling confused. Go see it, then e-mail me if you have thoughts. I honestly would like to know what others have figured out about this performance.

Day 5: 5:30 p.m. Time Slot

Show: Improv A-Go-Go: Death Match
Die Roll: 18
Venue: Brave New Workshop
Company: Ferrari McSpeedy v. The Impossibles

So, Five Man Job submitted this show to the Fringe, and they do a show by this title ("Improv A-Go-Go," not "Death Match") weekly on Sundays at the Brave New Workshop. However! This is not the same as that weekly show that only costs a buck. This is a tournament of improv champions, as it were. The installment that I saw today starred Ferrari McSpeedy and The Impossibles (a.k.a the guys from "Look Ma, No Pants.") The winners of this round moved on to the finals against a group the name of which I didn't catch.

Anyway, as this was a mano-a-mano match up between the two groups, they each did a single set. Ferrari McSpeedy doing an intriguing montage format that they dubbed with the name "Chocolate Chip Cookie Dough." The Impossibles did a format based on the Harold (a standard long form improv structure taught at the BNW and Second City). They omitted the standard "games" from in between the sets. Also, The Impossibles called out for audience input throughout their scenes. Ferrari McSpeedy capped each scene with a funky running sequence that always had the same words, "Fighting Danger! Fighting Crime!"

Again, anyway... The whole thing was well executed, but Ferrari McSpeedy was more on top of their game at this particular show.

Side things:

  • I sat with Allison Werthmann, who is a top-notch improv gal herself. I recommend catching her show, if you can. It has an ungodly-long title: Behind the True Intimate Portrait of the Driven Divas of Comedy -- Unplugged (The Day the Laughter Died)
  • The girl (woman, now) who I hired to be the assistant box office manager back when I was at the Brave New Workshop is still there, and I think that she's the Box Office Manager now. Her name is Alexis, and other than the owners, she must be the longest tenured person on staff now.

Tuesday, August 10, 2004

Day 5: The beginning

So, I woke up this morning, and had somehow been relocated to the month of November. Jeez! I've got my furnace back on for the first time since May. This is not the normally oppressive heat that strikes fear into the hearts of Fringe performers stuck with the Acadia as their venue. No air-conditioning is no problem this year, that's for sure.

I went to my closet and put on my leather jacket before taking my daughter to daycare this a.m. And that's how I will be attired this afternoon/evening. I also took the chilly weather as a sign that I should make Chili for supper. It's in the slow cooker right now.

The callbacks at the History Theatre aren't quite done yet, but that won't be taking me away from my Fringe duties today. Instead I'm seeing a full docket of shows. I've already rolled the dice for the first time slot, and I'll be seeing "Improv-a-go-go: Death Match." I'm hoping that it is good. I've moved beyond my improvisation-is-god stage of development, and so I don't search improv shows out anymore. In fact, this will only be the 3rd time I've been back in the building of the Brave New Workshop since I left the company's staff back in 1999.

Some random stuff:
  • I watched "Time Bandits" the other day. It was nowhere near as good as I remembered it being from when I was a kid.
  • Even though I've had a cast assembled for the next show I'm directing for almost a week now, I'm finding it really hard to make the calls to those who didn't get cast. It is so difficult to reject people, especially when you asked specific people to come out for you.
  • You know the drill...random fact time... www.hookedonfacts.com: "Isaac Asimov is the only author to have a book in every Dewey-decimal category." -- As a writer, this is something that I hope to one day aspire to. What a mind this guy had! Too bad Hollywood thinks it can improve on his genius. Anyone who wasted your money on I, Robot raise your hand!

Day 4: 10:00 p.m. Time Slot

Well, I didn't really get dones that the History Theatre until a minute or two after 10:00, but I decided I'd try to see a show anyway. I made it to the Red Eye just in time to hear parts of Ari Hoptman's Delaware, and Other Lies through the big doors. It was another sell out for Ari, and I was late, so needless to say, I wasn't able to go inside, but what I heard through the door was wonderful. It was much like owning one of Ari's CDs. Now, I've told this to Ari before, his humor reminds me of the stuff that was once on albums like "The Button Down Mind of Bob Newhart." That, to me, is one of the biggest compliments I can pay to a comedian.

Chunks of the act that I really liked... A dark interlude between Fred Flintstone and Mr. Slate; a piece entitled "The Magnificent Seven for the Tone Deaf;" and his ode to an adult book store. I've been told by some who actually made it into the theatre that some of the best bits were during the musical interludes (Especially one set to Barry Mannilow's "Copa Cabanna"). I really wish I'd been able to make it through the doors.

Day 4: 8:30 p.m. Time slot

I was still at the Great American History Theatre during this time slot. We saw a lot of very talented people, and that's all I can really say about that at this point. More when the show is in the whole public knowledge stage of production.

Monday, August 09, 2004

Day 4: Well...CRAP! 5:30 & 7 p.m. Time Slots

I just got an e-mail that makes me a liar. I am not able to attend anything tonight prior to 8:30, and very possibly not until the 10:00 p.m. time slot. I am assistant directing a show at the Great American History Theatre this fall, entitled "Christmas of Swing." It is a holiday show featuring the Andrews Sisters and is directly related to the show "Sisters of Swing" with which I've been affiliated for the past couple of years. Anyway... the callbacks are tonight and conflict directly with the Fringe. So...I'll be doing that instead. I will be headed to a 10 p.m. show for sure. We'll see what happens with the 8:30 p.m. show. I am seriously looking forward to getting going on seeing many more shows, so this is a little frustrating.

Anyway... I guess this let's you see what trying to Fringe is like for someone who is working in theatre full time. Life is busy, and it doesn't slow down for Fringe.

Day 4: The Beginning

So, it is shortly after 3 p.m. and I've finally just finished writing my blogs for Day 3. Prior to that bit of scribbling, I slept most of this day away. The blogging combined with seeing Fringe Shows and doing another show all at the same time is a little more taxing on the system than I expected.

Tonight I'll be seeing a show in each time slot. No other time commitments. Although, I'm bummed that I'm going to miss the NFL Hall of Fame game on TV tonight. The football fan in me is one step from skipping shows, but I am a slave of duty (*thumps chest with fist*), and I will be at the Fringe doing that Fringy-fringe thing.

A couple of random thoughts for today:
  • I am amused by the fact that the Google Ad Words at the top of this blog often pop up with things like "Christian Books," and the like. Apparently due to the fact that some Christian Author is named Baldwin, which ties back to my very first column, which hasn't been on the page of available columns for some time. You'd think they'd pick up on some other keywords in my writing. Just as a test, I'll type some words now that ought to trigger other ads: Sopranos, E-bay, Fantasy, Sex Toys, mp3, Graphics... let's see what happens.
  • Today's factoid from www.hookedonfacts.com: "Children laugh about 400 times a day, while adults laugh on average only 15 times a day. " -- This is why I like being a parent. Being around my daughter makes me happy. I don't always know why on Earth she is laughing, and her sense of humor doesn't always click, but it is truly joyous to be around a kid.

Day 3: 5:30 and 7 p.m. Time Slots

Another night of having to be at Theatre de la Jeune Lune. It is frustrating me that the press got our closing date wrong, and much of the public thinks we closed on August 1st, although we are still running through the 30th o' August. Yes, I know it is a Monday. I don't know why.

Jeune Lune is my favorite plaace to work so far. I can expect to learn something about myself, about my art, and about theatre in general everytime I set foot in there.

But, being in the show there killed off two more slots in which I didn't see anything at the Fringe.

More on day 4...

Day 3: 4:00 p.m. Time Slot

I didn't get to see a show in this slot, due to the fact that the Illusion show in the slot prior ran long. So, I searched out wireless signal so I could upload my badly behind columns.

I discovered two things that really pissed me off. #1... Both Borders and Starbucks use T-mobile hotspots service to act as their wireless servers. #2... that actualy costs a fee. Some local coffee shows allow you to use their systems for free, and that's great. It encourages people to do it. And brings them in for business. Making me pay to use Wi-Fi at a coffee bar makes me grumpy, not to mention makes me give money to a company that I don't want to support. I did it anyway. I needed to catch up.

Random thing:
  • I sat next to one of my favorite actors at the Illusion show. Andre Samples is a remarkably talented guy who I was lucky enough to be in a History Theatre show with. For this Fringe Festival he'll be appearing in The Great Masturbators. This is a show that I wanted to see anyway, and I am cursing my method of show selection because of. Andre is playing Frederico Lorca, which has just got to be a rush. Go see it!

Day 3: 2:30 p.m. Time Slot

Show: Six Steps Part Deux
Die Roll: 13
Venue: Illusion
Company: Illusion

So... Another part of the Fresh Ink series. And, a sequel to a show from last year's Fringe Festival. Initially I didn't wat to see this one. But, I know people in it. In fact, this is one of those shows that I talked about wanting to miss, because of the description and yet knowing people in it. The thing is, that I think the description missed the boat. The description had me not wanting to see the show, and dreading telling my friends that I couldn't make it. And yet, it was a very witty, funny, and tightly written comedy that lampoons many of today's current political situations. And it has a good deal of physical comedy thrown in for good measure.

At its most basic level, the show, which was directed by one of my favorite young directors Ellen Fenster, was a story about a group of totally inept super heroes that had to save the world. But at its best, it was a wicked commentary of the strategies and lies of the Bush administration. Thinly veiled as that was!

Ellen's direction made the show fun to watch, and the performances of the actors was good, too. I'd like to send specific kudos to William T. Leaf for his Doctor character near the end of the play, Catherine Johnson for her "Techno Donkey," Casey Grieg for his CIA agent, and Matthew Glover for this theoretically brilliant-minded hero. As a matter of fact, I'd really like to say that Matthew amazed me. He is an alum of a small theatre called The Cromulent Shakespeare Company, which I just becamse the artistic director of a couple of weeks ago. He did two plays with the group a few years ago. Thing is, I didn't recognize him in this. I knew that I knew him from somewhere, and because he was so funny, I thought that it was from my days at the Brave New Workshop. Nope! So, there's that.

Good job everyone on this show... One complaint: It ran long. Why does this matter? Well, the shows at the Illusion don't exactly have to follow the rules of the rest of the Fringe Festival because they are an odd satelite venue that fully produces their own stuff. It's sort of like the whole bring-your-own-venue thing. Because of that, the techies at the Illusion aren't quite as much of sticklers for staying within the Fringe's time restraints. The problem arises when the end time of the Illusion shows keeps audience members from being able to make their next shows. Which, of course, it did to me.

Day 3: 1 p.m. Time Slot

Show: From the Diary of Virginia Woolf
Die Roll: 4
Venue: Hennepin Stages, Upstairs
Company: Nautilus Music Theatre

There are two quotes from the lyrics of this show that stuck out for me:
--- "What sort of diary should I like mine to be?"
--- "Why not invent a new kind of play?"
In essence, those are the two questions that the whole cycle answered for me. The kind of diary was a vocal collage represented by the staging of assembling a collage-like diary, and the staging of this operatic song cycle in a dramatic manner did seem to be a new kind of play. The material was not offensive, or over-the-top, but this show is what I'm looking for when I search for something that is "Fringy." It did try to do something that no other show is doing this year. And it did it admirably.

Now, before I proceed much further, I ought to tell you that although I sing opera on a nightly basis (come see Carmen at Theatre de la Jeune Lune), I do not feel qualified to analyze the performance from a purely musical standpoint. Most of what I have to say will be about how it worked as a play. Even if it is a new kind of play.

First off, Jill Anna Ponasik had great stage presence and carried this show very well. Her voice was strong and her words clear. Normally in a play you don't have to say that, but in operatic performances with English texts, words are often sacrificed for sound. Also, acting is often sacrificed for the sake of looking dramatic. Jill sacrificed nothing. I could understand both the words and the intentions perfectly.

Oh! In addition to the two questions that were directly from the text of the songs, there was one other that haunted me throughout the show... Was Virginia Woolf another Martha Stewart? This thought came from the staging of the assemblage of the diary itself. Ponasik's Woolf applied glue to the backs of different snippets from her life and pasted them into her diary. The songs often were inspired by the feelings that welled up while putting together the memoir.

The pieces of paper that she put into the book were brightly colorful, and that made you think that this person who was Viginia Woolf must have been very colorful, too. Colorful, and yet not as well assembled as her diary. The papers allowed for a beautiful analogy later, "I will go down with my colors flying!"

The songs seemed to show her going a little insane over the things of daily life. Creative frustration, a funeral, finding oneself a "little over-dramatic" (which supplied one of the show's musically humorous moments, as the fortissimo high dudgeon of one line was immediately followed by an introverted and introspective observation a piano-level).

A song about a trip to Rome captured both the romantic beauty of travelling abroad, and the feelings of seeing those places as they really are. Very insightful.

As she closed her diary, and the play came to a close as well, I couldn't help but think that the show was very rewarding. First off, as I mentioned in an earlier column, I truly believe that Jill Anna has one of the best voices in town. She can capture feeling in it that is truly emotionally gripping. And secondly the performance is something that makes you think and feel, and that is what art is all about. If it can accomplish a reaction, which this does, then it is truly art, and truly what the Fringe ought to be about.

Day 3: The Beginning

There's a problem with this whole blogging thing. I fall drastically behind. I'm writing this on day 4 even though it is about what I was thinking at the beginning of yesterday. my main though was that I had over slept and was running late. Originally I had gotten up on time, had blueberry and cream cheese crepes for breakfast, and then when I plopped myself down to catch up on my blogging, I fell asleep again until about 15 minutes before I had to leave. So, I had to book it, shower ridiculously quickly, and run like a bat out of Hades to my car. I did that zig-zagging thing on the drive to the former Hey City Theatre (Hennepin Stages, they're calling it now). I hate people that do that zig-zaging thing. It isn't safe, and it is completely selfish. Not cool.

Anyway... more on the rest of the day in the upcoming posts, here's the bit of random crap:
  • My cats apparently thing my arm is a pincushion. Sometimes it is cute that they have figured out a way yo get me to pet them. Essentially they pet me, and that is great cuz it proves that they can mimic behavior. The problem is, they like it when I curl my fingers in a claw-like manner while petting them. I, however, do not care for them extending their claws while they are petting me. I have little scratches all over my right arm. Not good.
  • Something from www.hookedonfacts.com: "A man named Charles Osborne had the hiccups for approximately sixty-nine years. " -- Hee hee! They said Sixty-Nine!!!

Sunday, August 08, 2004

Day 2: 10:00 p.m. Time Slot

Show: WANTED
Die Roll: 8
Venue: Interact
Artist: Paul de Cordova

Again, I'll remind you that I don't like one-man shows as a general rule. But this one breaks the rule entirely. First, I should point out that I mentioned that another one-man show wasn't that bad yesterday (Boldy Going Nowhere). In comparison, though, Mr. Cordova blows away Mr. Peterson.

More on that in a moment. But first, wandering around the lobby of Interact (the art gallery, really) prior to the show allowed me to take in a bit of the Visible Fringe. I want to give kudos to one artist specifically...Greg Markstrom. If I have a chance, I will be purchasing a piece of his work. He does photo collages. I'm not normally a fan of photographs as art, but again this is a rule breaker. Great work... beautiful and evocative. Check it out. Even if you're not going to go see a show at Interact, make the trip there for Mr. Markstrom's work.

Now, back to Paul's show. The show begins in a bit of a presentational way that almost scared me off, but then it jumped straight into him relating his experience at the Ghost of X-mas Yet to Come in the Guthrie's "A Christmas Carol." Very funny stuff in and of itself. Even better that it was merely the set-up for the story that was about to unfold.

Apparently, Mr. Cordova grew up in Corpus Christi, TX. He intimately knew a kid who grew up to be a convicted killer who eventually escaped his death row prison cell. Paul related things from the 1998 escape, and the 1981 5th grade classroom that these two shared.

The stage was set up simply. There was a tape line that marked a 6' x 10' rectangle on the stage. It was the size of a prison cell. The costuming was simple. Putting on a "Members Only" jacket took us to 1981, and removing it brought us back to the more recent times.

At one point during the play I found myself thinking... This is great, but what's the message he's trying to send us? And you know what? He answers this thought directly. It is an odd convention to end a show with a monologue that explains why you're doing the show. But it worked. When Paul started his explanation, I thought "Oh no, he's killing the show by adding a moral." But that's not what it did at all. It made his already colid connection to the audience even more firm.

So far, this is the best show that I've seen in the Fringe. Granted, it's only the 2nd day, but there it is.

Day 2: 8:30 p.m. Time Slot

DANDELION SNOW by Matthew Everett
MCTC Whitney Main Stage

This is the show that I'm in. It went really well. It is four scenes long, and I'm only in scenes 2 & 4. That's a good thing, because I started having a coughing fit backstage during scene 1. I had to leave the theatre abruptly to get it under control. That sort of threw off my concentration, but overall I'm told that nobody could tell. The online reviews that are on the Fringe site are all good, and the fact that the audience applause was so long that we had to come out for a second bow hopefully means that folks liked it enought that we'll continue to get good houses.

I highly recommend the show, but you know, I'm sort of partial to it, myself.


Day 2: 7:00 p.m. Time Slot

Well, I found my first error in my charts. I rolled a 16. That part worked. I found that the show I was supposed to attend, Women! Live on Stage! by Theatre Unbound was not being performed at that time. So, I was going to reroll, and try again, but by that time, the person who had given me a ride had left. They were to come and pick me up after that show. So... since I couldn't reroll, I opted to go get food. Especially since I was feeling a little light headed and sleepy. I needed to eat.

I went across to Rudolph's BBQ and got a hamburger. It was good, but more importantly I had three glasses of Iced Tea to get the caffeine I desperately needed. The fact that I wasn't keeping up my show-viewing duties had me a bit depressed, but I used the time to look over my lines. I noticed that I'd learned a couple of them wrong, and had been saying them that way for two weeks now. I decided to try and rectify that situation.

About 7:45 my ride cam, and we headed to my show at the MCTC Whitney Mainstage.

Day 2: 5:30 Timeslot

Show: Sherlock Holmes: Murder at the Abbey Grange
Die Roll: 11
Location: Minneapolis Theatre Garage
Company: Hard Cover Theatre

In all honesty, I've avoided prior shows by Hardcover Theatre. Mostly because I didn't like any of the things that they were adapting. But, I'm a huge fan of Sherlock Holmes, so I'm glad this one came up. Mark Steven Jackson's adaptation was good, solid, and entertaining.

Sherlock Holmes was played by Tim McGivern who maintained an odd, not quite British accent, but played the aloof Holmes well anyway. Steve Lewis, who once played the narrator in The Rocky Horror Show at the old Phoenix Playhouse, did an admirable job as Dr. Watson. Watson was the narrator in this, too.

The narration of the story mirrorer the method of Watson being Holmes's Biographer. It lent the play toward a heavy use of Flashback, which I've never seen so frequently and effectively done. The Director, Natalie Diem, did a good job of blending the flashback scenes and the presnt ones on stage at the same time.

I once saw John Lilleberg as Holmes in a Pigs Eye Theatre production, but in this Hardcover Production Lilleberg was a bastard of a wife-beater, and the murder victim. He did a great job.

All in all a great production that I would've paid more to see away from the Fringe. Only annoying thing: The constant soundtrack of background music, as if I was watching a made-for-tv PBS adaptation.

Day 2: 4 p.m. Time Slot

Show: Escape! (Dance Like No One is Looking)
Die Roll: 6
Venue: Howard Conn Fine Arts Center
Company: M. Summer Productions


This is one of the shows that I really wanted to see, and it was the start of a good day in total. On the whole this was a good show with good energy. It started with the main part of the dance company sitting in the audience pretending that the show was starting irritatingly late. They sloowly took the stage demanding that a show start, and then starting it themselves. It was a somewhat "cute" convention. Ans shifted entirely into "cutesy" when they grabbed a 4 or 5 year-old boy to join in the dancing. He was a fun addition, as he did tummy-spins and convulsion-like steps trying to mimic the tap-dancing of the company. The first chunk o' stuff was tap set to Led Zepplin. Four women who ranged in skill did an extremely fun routine.

The next set featured two twin teen fellas doing a hip-hop routine that was similar to those you see on TV on the "Live at the Apollo" talent shows on Sunday afternoons. They were good enough to be on that show, too. These two did a second set later on that brought down the house with their tap, too. Great dancers. Great fun. They were the highlight of the ting, for sure.

There was some sing-language inspired modern dance that was a little strained. And a routine that involved a reverse strip-tease (read: sexy woman getting dressed). The whole thing was good. The only weak number was the last one: an ensemble dance to "Purple Rain." It was clumsy-looking, and sucked the fun level out of the audience just before the curtain call. Prior to that, though it was exactly what I'd hoped for... and for those who like dance, but don't like watching the modern-inspired contortionism that makes up a lot of the smaller companies here in town, this was a good one.

Day 2: 1 p.m. & 2:30 Time Slots

So... The first two time slots on this day were taken up by rehearsal for the opening of Dandlion Snow. We ironically (more coincidentally, than ironically, really) rehearsed next to the fountain at Loring Park that looks like a giant dandelion. two times through the show, and it went pretty well. I enjoyed the time with the cast, and we didn't have our director there, so it was all about the collaboration with the cast, and nothing else.

The people in my cast are great. They are a group that needs little direction at all to put together a show. A collective resume of the group includes such stages as the Guthrie, the Illusion, Theatre de la Jeune Lune, The Great American History Theatre, TRP, Theatre Unbound and 50 Foot Penguin just to do a surface scan. It's always rewarding to work with good people.

Anyway... more on that show in my 8:30 p.m. timeslot blurb...

Needless to say, I didn't see any shows in this one. Toodles, Chris...

Saturday, August 07, 2004

Day 2: The beginning

Today starts in an odd way for me. Because it is the day that my play debuts (i.e. Dandelion Snow), I have a rehearsal during the first two time slots. I don't get to attend a show until after that rehearsal. Most likely not until 4 p.m. But, then because Dandelion Snow goes up at 8:30 p.m., I won't be doing Carmen tonight. That means I get to see a whole lot more than the two shows that I got to see yesterday. This morning's random thoughts...

  • Early on in this blog I deleted all the extraneous comments that people put after my columns if they were just there to promote a show. After all, it's my column, I'm the one who gets to promote shows here. But, I didn't make that clear, and I'm afraid that caused a bit of confusion. So, I'd like to put in a plug here for a show that had originally been mentioned in a comment on this blog. Go see Does This Monologue Make Me Look Fat? by Amy Salloway at the Jungle. It has times that don't necessarily fit into the standard format of the Fringe, so you'll have to check the Guide that was in the City Pages this week for actual times. Or, you know, follow the link.
  • My daughter and I watched the Lizzy Maguire Movie this morning, so I'm ready for anything.
  • Today's snippet from www.hookedonfacts.com: "Both Julius Ceasar and Alexander the Great were epileptics." - Anyone know if George W. has epilepsy? If so the rest of the world should be scared... no, wait, the rest of the world should be scared anyway. I'm scared.

Lokasenna

Friday, August 06, 2004
5:30 p.m. Time Slot
Die Roll: 11
Show result: Lokasenna, MCTC Whitney Studio

You ay remember that before the Fringe Festival started, there was a preview that I attended at Balls Cabaret late one night. And you might also remember that I, at that time, did not want to mention any of the shows that were really bad, so as not to ruin their initial chances of having a good show at their opening. Okay, so this one is now officially opened, and I can be sure that I didn't cause its demise. Nope, it did that unto itself.

For some shows, a preview performance does wonders for getting the word-of-mouth going. This one didn't win anyone over with that Balls Cabaret performance. First, the good news: by its Friday evening opening Lokasenna had improved greatly. Now, the bad news: it still needs to get much better to be good.

A thought: Do Not apologize for your show in a curtain speech. The Program already says that it is a work-in-progress. That's enough. Most shows at the Fringe are still works in progress. To tell us repeatedly that it is, is basically telling us that there's a good chance that we won't like the show.

Two good points: The fella who plays Loki in this collection of myths from the Edda (Norse myth cycle), is going to be a good actor someday. And the girl who plays Hel and Freya will be a good singer someday. But they both need a lot of training in their respective fields.

The play itself is week, the songs are not good, and the direction was painful, as was the performance of the actress who played Thor. Ooh! Another highlight...The two pit band members were occasionally called upon to "act" as well, and they were entertaining.

Okay... So now that I got the good things out of the way, let me tell you that I am not pleased with having had to go to this show. And, I'm hoping that there is no way that it couls come up on my charts again.

Someone may like this show more than I did. I'm guessing that a list of potential admirers would include the families of the performers, and anyone who really enjoys supporting the work of underdeveloped talent. If you want to feel good about yourself in that "I did a favor for some kids who need encouragement"-kind of way...I say go for it. If you want to enjoy an hour at the Fringe, stay away.

Friday, August 06, 2004

Boldly Going Nowhere

Friday, August 06, 2004
4:00 p.m. Time Slot
Die Roll: 3
Show result: Boldly Going Nowhere, Illusion Theatre


The anticipation has pretty much worn off. Talk about an anti-climactic experience. I've now rolled the dice for the first time in the 2004 Fringe Festival. I am now sitting here in the lobby of the Illusion theatre, awaiting the start of Boldly Going Nowhere. I am suddenly struck by the fact that I do not need to put any effort into selecting shows at this point. There is no stress on me at all now that the festival is beginning. The thing that brings that home most completely is that there are 3 people sitting at the table ahead of me (see picture). They are wonderful people who told me that they're on their 9th or 10th Fringe. They are entirely charged up by the whole experience, but they are also stressing out and arguing over the plays that they are going to or not going to. Now, I know that the whole thing is part of the standard Fringe experience, but I'm suddenly quite thankful that I got all my stress out of my system the other night when I put my charts together.

So... What do I know about Boldly Going Nowhere? Not much yet. It is one of the shows that is at the Illusion and part of their "Fresh Ink" series. Apparently it is starring Tod Peterson. That's as far as I go down the knowledge path. More on it all after the obnoxious arrow things:

44444444444444444444

So... My thoughts:

Five brief monologues, four characters, and one of them kept saying, "Didn't you fuck me in the butt?"

As a general rule I do not like one man shows. And you know, with my eyes open, I did not like this one either. I closed my eyes part way through and it got infinitely better. What I'm saying here is that Tod Peterson wrote a good play here. And if it were performed on the radio it would be great. In fact, the monologues in this show are made for radio. They are beautiful and funny and do not need any physical actions to add to them. In fact, with my eyes open, the "characterizations" that Mr. Peterson was doing detracted immensely from the natural comedy of the words.

Now, I'll give him the fact that he read most of the show, so his actions may have been limited for that reason, but even if he'd had the script in his head rather than on a music stand, the play would've been better as an exclusively auditory experience.

This was a play that was marked by often repeated lines that expressed the obsessions of each of the characters. A clubbing boy how gets kidnapped, and deserted on an island in the middle of a lake is consumed with the phrase "Didn't you fuck me in the butt?" Another is obsessed with watching sitcoms, especially those starring Mary Tyler Moore, at the same time being completely disturbed by an incident that happened years ago in a high school locker room. A beauty pageant contestant is constantly thinking about whether or not something is cute, and rebelling against her mother. The last is consumed by wondering why his brother would've given up smoking pot.

Odd and quirky, and fun ... to listen to.

Today is the day...

"Hey fellas! Where's the party at?"
"Right here under your shoes!"
"Hey fellas! What time is it?"
"Time to get wild and loose!"
----The Time

Those immortal lyrics from the early 80's Minneapolis music scene express my main sentiment for today. It's time for the Fringe to get up and shake its lovemaker! My Fringe trek will begin today at 2:30, if all goes well, or at 4 p.m. if I'm running a little behind. I have a few things to get accomplished first. The first and foremost is to print off the 34 charts that I've got put together for the time-slots that I will be seeing fringe shows. 34 shows! Holy leg cramp, Batman! That's going to be a lot of sitting! Remember that number would be higher if I weren't doing Carmen and Dandelion Snow. Yeah, then I'd be seeing over 50 shows. Insane!

Okay, so the rest of my tasks for today...

  1. Buy 3-ring binder to keep track of charts.
  2. Buy small spiral pad for taking notes.
  3. Buy big-assed thing of water (I get dehydrated easily)
  4. Buy snack food (I'm not sure when I'll get to eat, yet)
  5. Charge my digital camera... this column will be photo-enhanced soon.
  6. Find my Staff Pass (yes, I've already managed to lose it)
  7. Stop by Fringe Central for fun.
  8. Grab my dice
  9. Grab a City Pages
  10. Go to 2 or 3 Fringe Shows.
  11. Prepare my Carmen script for the guy who is understudying me, so he can fill in on Saturday night.

Of course I have Carmen tonight, so I am limited in how many shows I can see today. There's only one show being offered at 2:30, and it isn't very random going to the only show that is available in a timeslot. So, my temptation is to not go at all to that one. There are two in the 4 p.m. time slot...1 at the Jungle, and 1 at the Illusion. That's 50% chance of seeing one or the other. That's enough. That can be decided entirely by chance. And then 5:30 p.m. the rest of the fest gets going. 15 total shows in that slot! Cool!

That'll be my last slot of the day, though. Cuz at 6:30 I need to hop in a car and book my butt to Jeune Lune for my 7 p.m. call. The Opera doesn't get done until 10:30 p.m. so I miss the rest of tonight's offerings.

Anyway, I ought to get started so I can get everything done before I run out of time... oh, but first, a bit of randomness:

  • I asked a friend last night for my next topic of discussion, and he said "Mono Sodium Glutimate." I'm pretty sure that he suggested it just because it rolls off the tongue in an entertaining manner. And I don't know what to say about it really. I'm not sure what it does, or why so many people try to avoid it. Are they allergic? Does it make you fat? Anyway, I don't get it. I eat it whenever it is in something that I'm craving, otherwise I try to keep away from it, even though I don't know what it may or may not do to me.
  • Today's tidbit from www.hookedonfacts.com: "The Pacific island of Nauru's economy is almost entirely based on bird droppings." -- It's good to be an American!

Happy Fringing Everyone!


Thursday, August 05, 2004

Essential Equipment

I went on a silly little spending splurge this morning. I now am wireless compatible! I haven't had a chance to try it out yet, but the wi-fi card is installed. I'll be able to blog from where ever I'm able to find signal during the Fringe Festival.

My eventual plan is to make my home wireless, too. DSL will be hooked up on Monday. I start grad school on the 23rd o' August, and most of the experience will be over the internet, so I needed a high-speed connection.

The whole thing is going to be fun. I'm attending the University of New Orleans, but much of the year I'll be attending online from Minnesota, then at other times I'll be going to UNO's overseas campuses in Spain and France. Wild, eh?

So... although I got the Wi-Fi card for the Fringe, it really has bigger plans attached to it.

The Random Theme 2

Still trying to capture the random feeling of what this column will feel like starting tomorrow... So here we go...

  • I asked another random friend for a new random topic today, and her response was "Broccoli." Great! I like broccoli the vegetable, but more importantly I loved Broccoli the Bear. For whatever reason, my first three teddy bears were all named Broccoli. None were green, but they all shared that name. I've never known why kids choose certain names for their pets and stuffed animals. I had a stuffed frog named Salt and a stuffed dog named Pepper. These three constituted all the stuffed animals I owned that were named for food. That was a partial theme, I guess. My little brother, Tim, had a stuffed Gorilla/Ape that kept changing names. I know it had more, but at one time is was George, and it eventually ended up as Fred. I do have a Teddy Bear still (odd admission to make here, I guess), but it's name is Nigel. I no longer have any of the incarnations of Broccoli, but I think the last one survived until I was in high school. Disclaimer: It should be noted that having a Teddy Bear and sleeping with one are two different things.
  • A discussion has broken out over my column about the purpose of theater. Oddly enough the discussion is happening on Matt Fotis' s blog. Now, Matt Foster has started a new forum at Vox Fringe where this discussion could be taking place. I'm recommending that it relocates there. It is an interesting bit of banter, and it even got an indirect mention in Tipper Jensen's blog. Oh the fun!
  • The average number of squirts from a cow's udder that are needed to yield a gallon of milk is 345. That right there makes me glad I'm not a cow. It also incidentally makes me glad I'm not a dairy farmer. I have new respect for farmers that still milk by hand, though.
  • I have co-written plays with fellow bloggers Matthew Everett and Matthew Foster. It is my hope to eventually co-write plays with each of this year's bloggers. I'm anxiously awaiting their phone calls.
  • One of my fave actors in town is Heather Stone, who I worked with for Theatre Unbound recently. She'll be appearing in 23 Across. Another is Fred Wagner, who I've worked with at the History Theatre and Pillsbury House. He's appearing in MacBlank. These two are performers that I hate to miss. I'm hoping my dice let me see them.
  • Tonight is the night that I rejoin the cast of "Carmen" at Theatre de la Jeune Lune. Once the Fringe is done, or if you want a brief break from Fringing, come see it. The show closes August 30th. Ooh! That reminds me, I have to get my butt over there for a meeting about the guy who'll be understudy-ing me so I can do Dandelion Snow at the MCTC Whitney Mainstage, too.
  • Today's bit from www.hookedonfacts.com: "Kermit the frog delivered the commencement address at Southampton College located in the state of New York in 1996." -- Thing is that this was after Jim Henson's death, so it really doesn't matter that much. I'd've killed to hear the speech by Henson's Kermit. Steve Whitmire's Kermit, not so much.
  • I may or may not have transportation for the evening of Tuesday the 10th. Anyone have a bike they'd want to lend me so I can do my Fringe responsibilities? Better yet...anyone want to drive me around to see randomly determined shows? Jeez! I hope I have my car that night!

That's enough for now... chat at you soon!

Wednesday, August 04, 2004

The Random Theme

Allright, so in my very first column on this blog, I explained the concept of this whole thing.

The thing is, that being random about the Fringe prior to the Fringe actually starting is a distinct challenge. So, today I choose just to be random. Some of the things in this entry will be Fringy, some won't. All will be brief, though. For as some wise guy once wrote, brevity is the soul of wit!


  • Upon searching for a random topic, I asked a pretty little redhead I know what I should write about today. She said, "Kittens." I'm a cat person, rather than a dog person. Although I've always had a dog while growing up, I helped train all my parent's dogs except the one that they had when I was born, and I really want a puppy now. But when it comes down to it, if I can only have one pet, it is a cat. I have two. They are siblings from the same litter. I got them together and carried them home inside my jacket as I drove through the hilly streets of Sioux City, IA. I still see them as kittens, even though they've been with me for almost 9 years.
  • In Texas it is illegal to have sex with a fish. In Florida it is illegal to get a fish drunk. I'm thinking that there are far too many people spending quality time with fish for either of these laws to be necessary. I can't even fathom the logistics of the first one. Although the FL law does make "Drinks like a fish" a little more real.
  • I do realize that by writing this at 9-something, that I got up before noon, which I mentioned I wouldn't do in my last column.
  • A certain director mentioned in an earlier column uses two words a lot while directing "Beautiful" and "Stupid." The two words are often in the same sentence. "That is so stupid it is beautiful." I like that thought when it applies to theatre. Simplicity, and yes, even stupidity, has a very primal beauty to it. And it is often humorous from a very natural place. So putting that phrase to work in theatre works. I do not recommend conjugating the phrase to apply to your girlfriend. Not a good plan.
  • The most I've ever made producing a show at the Fringe Festival was $1500. The most I ever lost was $70.
  • I found this on www.hookedonfacts.com : "Mailing an entire building has been illegal in the U.S. since 1916 when a man mailed a 40,000-ton brick house across Utah to avoid high freight rates. " -- Somewhere in this there has to be at least a 10-minute play. Did they move it brick by brick? Did it even get delivered? How did it fit in the mailbox?
  • I talked to a friend of mine the other night, the lovely Tina Fredrickson, and she is appearing in Desdemona: A Play About A Handkerchief. She's always very good. Go see it.
  • I have two other columns to write today. Both are for www.sportsoutlaw.com. I've found that although many actors give lip service to hating sports, there's a large number of guys in the Twin Cities theatre scene that play Fantasy Football.

Well, actually, I should get cracking on those other columns, as I'm behind schedule on that. Only two more days until the Fringe really gets going. I can't wait.


It's 4 a.m. !!!

Well. I promised myself that I would finish my charts this past evening as I set myself down in front of my computer. And I have now officiall done that. However, I started that process around 9 p.m. and it is now FOUR IN THE MORNING! I a proud to tell you, nevertheless, that there is nothing happening at the Fringe that isn't on my charts. If it's something Fringy, it is there and duly charted.

I have come to one overwhelming conclusion as I sit here with my eyes burning, hoping that my daughter doesn't wake up early and prevent me from even getting an hour or two of sleep (she's five and still hasn't realized the merits of sleeping in). I have come to the conclusion that this whole making charts and rolling dice thing is one of the dumbest ideas that I ever came up with. What the Hell was I thinking?

All I can say is that I hope everyone appreciates what I am doing for them in this blog. The thing is, I'm not really sure what that might be myself.

Have you ever had that feeling deep in your tummy that is sort of a grumbly, I'm-hungry tummy, but it's far past that feeling because it also has the tres acidy feeling that comes fromstaying up all night? That's what I've got going on now. I could get up from the computer here and get a bedtime (?) snack, I guess.

I'll sign off for the night and do another test of the charts tomorrow. Probably not before noon, though. I enjoy sleep.

Tuesday, August 03, 2004

The Purpose of Theatre

There is a certain theatre for which I periodically work, that has a director who often tells us that our acting needs to be more didactic or less didactic. Now, by this term he means that it should be more presentational in nature. More clear to the audience. The thing is, that the word didactic doesn't mean that at all. Theatre by its very nature is didactic, that is, it teaches a lesson. It gives a point of view and educates the audience about that point of view. By having a directorial concept a show is didactic. What this director is trying to say is that he needs a acting gesture to be Theatre-for-the-thinking-impaired. Or, he might find better use from a word that I coined a few years back for the same phenomenon. "Indicatory." That isn't a real word according to Webster, but it describes the type of acting that is slightly larger and overdone for the sake of clarity.

Now, why do I bring all that up? Because I want to talk about shows that fulfill the duty of theatre to be didactic...in the word's real meaning. As artists we have a duty to make people think and feel and come away a better and improved human being. We shouldn't pretend that we'll accomplish that with every show we do, but if you are a theatre artist, and not just a theatre performer, then you have to be at least partially dedicated to producing art. Art needs a perspective and a point. It needs to evoke a reaction.

I saw "Farenheit 9/11" the other night, and it made me think about how much of what often does best at the Fringe Festival isn't art, isn't pushing any limits, isn't really on the "fringe" of any type of thought, behavior, or anything else for that matter. It is merely entertainment. Not that entertainment is bad, it is necessary for maintaining sanity and emotional balance. Yay! Entertainment!

But, when a festival promises to be on the "fringe," I look for performances that push the limits. And more importantly ones that really are art. Shows that are didactic. Show me an opinion. Stand behind it. Try to make an impact. Take a risk! Put on a show for a small budget that dares to say something important instead of just trying to cash in on a witty title.

Now, before you go and think that Chris is saying that you ought to go sit through a preachy piece of crap, let me allay those fears. Every play that has a point of view is didactic. That's what I mean by theatre by its very nature is didactic. "Streetcar Named Desire" teaches lessons about human nature and human failure that we could all learn from, it is truly theatre. A great is didactic, but more subtle about it than a soapbox preacher.

So... Here's my challenge to you, Fringe-Goer! While you take in "8/7 Central" or "Fringe Sex," take some time to search out the shows that are less well publicized but that might actually make a difference, might offend you a bit, might do something actually fringy.

Here's my list of shows that might actually have something to say that is worth seeing.


  1. An Empire Disguised as a Nation: A Call to Conscience
  2. Fear of Freedom
  3. Feeling Faust
  4. Osama Kinkaid, Painter of Terrorism
Granted, many of these may be a little on the preachy end of the spectrum, but at the Fringe it seems that one end of the spectrum (Preachy) or the other (purely entertainment) is what you get.

I'm sure that there are others. This is just off the top of my head, and mostly regarding our current political situation, but many of the queer content shows will have something to say. There are many of the more off-beat comedies that share a good message or two.

What I'm saying, is don't just buy into the hype of certain shows. Go ahead, buy into it a little, and have some fun. But do what is right and go to see some didactic theatre, too.